The Japan you know has museums.
This is the art they left out.
Raucous, unrefined, gloriously impure — expression that never asked permission.
You won't stand behind the rope.
You'll step inside the show.
In Mukojima — one of Tokyo's last geisha districts — a former ryotei restaurant now houses the life's work of Kyoichi Tsuzuki, the legendary editor (POPEYE, BRUTUS) who spent fifty years collecting what Japan's art establishment wouldn't keep. He calls it endangered-species art.
Three floors. Sideshow banners painted to pull crowds into tents. The revived exhibits of the original hihokan "secret treasure halls." Works by artists the museums do celebrate — Shinro Ohtake among them — hung beside works no museum would dare.
No crowds. No queue. Twelve guests at most — and the whole building, the banners, the dolls, the bar, the rooftop, belongs to the tour.
Hours no other visitor can enter. That is what this ticket buys.
Photo: Museum of Roadside Art
The painted banners on these walls once pulled crowds into misemono-goya — the sideshow tents of Japan. Fire-eaters, snake women, impossible bodies, painted twice as loud as life.
Here, the acts they advertise are not history. As your host walks you through the museum, he performs them — historical acts drawn from the exhibits around you, live, an arm's length away, for an audience of twelve at most.
Which act? That, you find out inside the tent.
Touch — hyper-real, life-size figures by Orient Industry, Tokyo's legendary doll atelier, whose craft has been exhibited as art in its own right. Here they are met, not viewed through glass.
Wear — That Face, as reported by Reuters and the BBC, makes hyper-realistic masks from the faces of real, anonymous people who sold them. Put one on. Look in the mirror. Someone else looks back.
Photos encouraged. You will want proof this happened.
Shuhei Okawara runs Kamenya Omote — Japan's only mask specialty store — and organizes TOKYO MASK FESTIVAL, the country's largest mask event. His project That Face, the world's only business buying and selling human faces, has been covered by Reuters and the BBC.
He has spent his working life on one question: what happens to a person when the face changes? For ninety minutes, he is your guide, your barker — and your performer.
面白いものは、表通りにはございません。— The interesting things are never on the main street.
Neither. It is a surviving piece of Japanese showman culture and outsider art, handled with respect — and with a drink at the end.
Real, anonymous people who sold their faces to That Face — willingly, with consent, and with a contract. That is precisely what makes it the only business of its kind on Earth.
Parts of the collection are erotic art, and the tour ends at a bar. House rules; ID is checked at the door.
Yes — encouraged, for personal use. Your guide will point out the few exceptions.
Yes. Kamenya Omote, the producer of this tour, is Japan's only mask specialty store and the exclusive seller of That Face. Worldwide shipping available.
灯りは、そろそろ。
Photo: Museum of Roadside Art
Pick your date on the next page — Mon–Thu, seats capped at 12 per day. Secure checkout in US$ via KAMENYA OMOTE. Minimum 2 seats per booking — solo travelers book both.